Table Of Content
It is revealed that Roderick's sister, Madeline, is also ill and falls into cataleptic, deathlike trances. Roderick and Madeline are the only remaining members of the Usher family. The first two episodes of The Fall of the House of Usher premiered at Fantastic Fest in September 2023 before the Netflix release the following month, being viewed more than 13 million times in its first two weeks. It was met with positive reviews, with critics praising its production values, directing, and performances (in particular from Gugino, Greenwood and Mark Hamill), although they were divided on its narrative, notably in relation to the source materials.
Further reading
The song Roderick sings, “The Haunted Palace,” is an extended metaphor that compares the mind of a mad person to a haunted house or a palace under siege. In the first stanza of the song, Roderick names the monarch Thought (“In the monarch Thought’s dominion”), suggesting that reason rules over this mind. The physical elements of the palace additionally map onto the features of a human face. The “banners yellow, glorious, golden” that “float and flow” on the roof are locks of blond hair. It has two “luminous” windows representing eyes, and the door made of pearls and rubies is a mouth with red lips and pearly white teeth. However, sorrow attacks the palace, leaving the once luminous eyes red from crying, the ruby red lips now pale.
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We replaced and screwed down the lid, and, having secured the door of iron, made our way, with toil, into the scarcely less gloomy apartments of the upper portion of the house. “Her decease,” he said, with a bitterness which I can never forget, “would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.” While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread—and yet I found it impossible to account for such feelings.
A Summary and Analysis of Edgar Allan Poe’s ‘The Fall of the House of Usher’
Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light when the heirs to the Usher dynasty sta... I shall ever bear about me a memory of the many solemn hours I thus spent alone with the master of the House of Usher. Yet I should fail in any attempt to convey an idea of the exact character of the studies, or of the occupations, in which he involved me, or led me the way. An excited and highly distempered ideality threw a sulphureous lustre over all. Among other things, I hold painfully in mind a certain singular perversion and amplification of the wild air of the last waltz of Von Weber.
Storyline
In “The Fall of the House of Usher,” he deliberately subverts convention by rejecting the typical practices of preaching or moralizing and instead focusing on affect and unity of atmosphere. The narrator and Roderick place her in a tomb despite her flushed, lively appearance. In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death. Like Madeline, Roderick is connected to the mansion, the titular House of Usher.
The 9 Edgar Allan Poe Stories You Should Read Before Fall Of The House Of Usher - GameSpot
The 9 Edgar Allan Poe Stories You Should Read Before Fall Of The House Of Usher.
Posted: Wed, 11 Oct 2023 07:00:00 GMT [source]
Poe’s writing helped elevate the genre from a position of critical neglect to an art form. “The Fall of the House of Usher” stands as one of Poe’s most popular and critically examined stories. Poe was often dismissed by contemporary literary critics because of the unusual content and brevity of his stories.
Cast and characters
There were times, indeed, when I thought his unceasingly agitated mind was labouring with some oppressive secret, to divulge which he struggled for the necessary courage. At times, again, I was obliged to resolve all into the mere inexplicable vagaries of madness, for I beheld him gazing upon vacancy for long hours, in an attitude of the profoundest attention, as if listening to some imaginary sound. I felt creeping upon me, by slow yet certain degrees, the wild influences of his own fantastic yet impressive superstitions.
“The Haunted Palace”
He notes that although the house is decaying in places—individual stones are disintegrating, for example—the structure itself is fairly solid. There is only a small crack from the roof to the ground in the front of the building. He has come to the house because his friend Roderick sent him a letter earnestly requesting his company. Roderick wrote that he was feeling physically and emotionally ill, so the narrator is rushing to his assistance. The narrator mentions that the Usher family, though an ancient clan, has never flourished. Only one member of the Usher family has survived from generation to generation, thereby forming a direct line of descent without any outside branches.
The narrator is mysteriously trapped by the lure of Roderick’s attraction, and he cannot escape until the house of Usher collapses completely. Characters cannot move and act freely in the house because of its structure, so it assumes a monstrous character of its own—the Gothic mastermind that controls the fate of its inhabitants. Poe, creates confusion between the living things and inanimate objects by doubling the physical house of Usher with the genetic family line of the Usher family, which he refers to as the house of Usher. Poe employs the word “house” metaphorically, but he also describes a real house.
It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eve, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity. A servant in waiting took my horse, and I entered the Gothic archway of the hall.
By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. For me at least—in the circumstances then surrounding me—there arose out of the pure abstractions which the hypochondriac contrived to throw upon his canvas, an intensity of intolerable awe, no shadow of which felt I ever yet in the contemplation of the certainly glowing yet too concrete reveries of Fuseli. Flanagan had plenty of leeway to expand Poe’s original story for the Netflix adaptation. For starters, in his version, the Usher family includes more than two living members. And the name of Roderick’s one true love, Annabel Lee, comes from the poem “Annabel Lee.” It was Poe’s final poem, which laments the death of a young partner.
La Chute de la maison Usher is a 1928 silent French horror film directed by Jean Epstein starring Marguerite Gance, Jean Debucourt, and Charles Lamy.
"The Fall of the House of Usher" is a chilling tale of a visit to a friend's decaying mansion, where the visitor witnesses strange events and learns about the Usher family's curse. The story is filled with eerie incidents, including the illness of the lady of the house, her subsequent death and entombment in the family vault, and her terrifying reappearance. The story culminates in the literal and metaphorical crumbling of the Usher house, symbolising the end of the cursed Usher lineage. The disease of the lady Madeline had long baffled the skill of her physicians. A settled apathy, a gradual wasting away of the person, and frequent although transient affections of a partially cataleptical character, were the unusual diagnosis.
A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. His countenance, I thought, wore a mingled expression of low cunning and perplexity. The valet now threw open a door and ushered me into the presence of his master. An unnamed narrator approaches the house of Usher on a “dull, dark, and soundless day.” This house—the estate of his boyhood friend, Roderick Usher—is gloomy and mysterious. The narrator observes that the house seems to have absorbed an evil and diseased atmosphere from the decaying trees and murky ponds around it.
He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake. Fearing that her body will be exhumed for medical study, Roderick insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried.
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